Have you ever seen the (b)rain?

Are you familiar with Parade magazine? You're forgiven if it has eluded your attention, since it is "old media" at its oldest. It is a magazine that is inserted free in the Sunday edition of many newspapers. Since I still like my papers, I usually give it a glance in the morning.

One of the enduring features of Parade is the "Personality Parade" column, which showcases reader questions about celebrities. My late father particularly loved this one, as it sometimes features some head-scratchers. His favorite was the incensed reader who asked how a comedian could get away with referring to Ronald Reagan as a "known heterosexual", since that was such a scandalous falsehood.

I find myself wondering sometimes if the readers who write to this column are even real. I mean, they can't be, right? Take this sample question from last Sunday's edition :

"I love Creedence Clearwater Revival co-founder John Fogerty. How come there's no musical a la Mamma Mia! of his work?"

The best part about that question? The "answer" is a total non-sequiter that has nothing to do with the original question.

I can't wait to see what wonders tomorrow's edition holds.

Secrets From Old Letter Columns

I found this in a copy of Super Friends #5 (June 1977).



Don't know who Colleen Doran is? Well, check this out, yo.

This letter was previously discussed in a blog entry at Gorilla Daze, but that was something I didn't know when I scanned it. The interesting thing is that, according to Doran herself, she was born July 24, 1968 (though some sources erroneously list it as 1963). This particular comic went on sale March 21, 1977, which means her letter was likely written sometime in 1976. When she was 8.

Go back and read it again. Not bad for an 8 year old, huh?

Battlehawk

(Those of you on Facebook can see the video link here. Totally worth it.)

BATTLEHAWK is one of those rare 1970s live-action shows from Go Nagai, Ken Ishikawa, and the rest of the fine folks at Dynamic Planning. I can see some of the Nagai trademarks in this opening & closing, but it just as much resembles a bunch of other shows from that same era. The sentai thing is obvious because GORANGER is the most famous of the lot, and that yellow guy sure reminds me of Kiranger. Yet I can see traces of shows like AKUMAIZER 3 in there, too. Heck, they even appear to have filmed part of the closing on the exact same stretch of highway used in the opening on NINJA CAPTOR!

With sentai having become so pervasive in Japanese superherodom (and don't get me wrong, I'm a big fan), it's easy to forget that neither those shows, nor Toei itself, had a lock on the "team" concept. Shows like TRIPLE FIGHTER, MEGALOMAN, BANKID, and yes, BATTLEHAWK might not be as well-remembered today, but they paved the way for the flashier series that were yet to come, and did it in a very entertaining way.

Girls of the World

One of my favorite artists and people is the young lady who goes by the nom de Internet Kabuki Katze. I've been privileged to watch her grow both as a person and an artist for over 5 years. It's been quite the amazing sight to see.

Now, Kabuki has entered another new phase in her budding art career. She has self-published her very first art book! It's called "Girls of the World", and it's a children's alphabet book with a difference. I think you'll be pleasantly surprised by the craftsmanship the delightful Ms. Katze brings to the table.

You can order "Girls of the World" by clicking this link. A PDF preview can be had here.

I love this book. And I can prove it!

Congratulations, Kabuki! Onward and upward with the arts!

Most Wanted Reprints : The Immortal Doctor Fate

The solo stories starring the mystic Justice Society member Dr. Fate are among the best-kept secrets of 1970s & early 1980s comics. That is genuinely too bad, as it is a fantastic little mini-run. They were reprinted in a 3 issue mini-series in the mid-80s, but since then, only The Art of Walt Simonson trade has collected any of them. And with that book being 20 years old (egads!), I don't think we can refer to it as "recent".

As you might gather, Simonson did the art on one of these stories. It originally ran in First Issue Special #9, and it reads suspiciously like a backdoor attempt at creating an "Earth-One" Dr. Fate. Since that never happened, the innovations in the character were incorporated into the Earth-Two version. This is no small thing, as many of the distinguishing characteristics of the post-Golden Age incarnation of Dr. Fate were born in that story, written by Marty Pasko. I first read it in a DC digest a couple of years after its first publication and it blew me away.

Several years later, Dr. Fate earned an 8 page back-up slot in The Flash. Pasko returned, along with Steve Gerber for some installments, but there was a new artist named Keith Giffen. Giffen had previously drawn Fate in a few issues of All-Star Comics, but his work on this strip is much different. I love the JSA stories, but these are downright cosmic. Giffen was in his lush, Kirby-ish phase that briefly made him a fan-favorite during this run, and it makes for some exceptionally memorable imagery.

The deluxe mini-series also included a short origin story for Dr. Fate by Paul Levitz and Joe Staton that was done for one of the DC Special Series one-shots. It is, as far as I know, the only 1970s-era JSA-related story by that team not currently in print.

I'd really love to see a new trade paperback of these stories. There's a Golden Age Dr. Fate story in the mini-series that would likely be omitted, as it was recently reprinted in an Archive along with the rest of Fate's 1940s stories. That leaves the Bronze Age stuff, and it doesn't add up to a whole lot of pages. There was a time when I might have thought this a hindrance, but I think it actually increases the odds of this book happening now.

Besides the stories, I'd like to see the relevant covers reprinted in color. That's the ones for the mini-series and a couple from the original comics. There's also a great house ad for the backup, and the Walt Simonson book has a couple of interesting bits and pieces that would be a welcome addition. It even has a written piece by Simonson that I'd love to see in a collection of the stories.

This would be a book of less than 200 pages, and it involves creators who are well-known and still active in the field. If necessary, it could be branded with the "JSA Presents" label that has been used for things like Stars and S.T.R.I.P.E. and stories of the original Green Lantern. So how about it, DC? Can we find a market for this book, and bring these great stories back into print?

Thinking Too Much About THE H-MAN

I'm pretty sure I've seen the Japanese monster movie THE H-MAN at least a dozen times, especially if you count both the English-dubbed and Japanese language versions. It's one of my favorites of the non-giant variety. In some ways, I think that's a little unusual. After all, the film is a lot bleaker than is my regular taste for Asian SF. Credit my love of this tale of gangsters and rampaging goo men to my having seen it at a key time in the development of my obsession with Japanese fantasy.

THE H-MAN was recently released with MOTHRA and BATTLE IN OUTER SPACE by Sony in a 3 DVD collection labeled "Icons of Sci-Fi : The Toho Collection". All three films are presented in both their original Japanese and English-dubbed versions. They all look gorgeous, and it's quite instructive to compare the two divergent interpretations of the same story. One aspect of THE H-MAN in particular stood out to me.

The heroine of THE H-MAN is Chitako Arai (Yumi Shirakawa), a nightclub singer. One subtle difference is her relationship to her mostly absent fella Misaki (Hisaya Ito). In the Japanese version, she is characterized as his "girlfriend", while the U.S. dialogue describes her as his "wife". One imagines this was to avoid scandalizing certain segments of 1950s America, given that they lived together. Gotta love it.

Now, there is something that is the SAME in both cuts, but this only leads me to more questions. You see, after hearing Chitako's two songs in THE H-MAN for years and years, I naturally had assumed they were done specifically for the English dub. They were completely in English, and that only made sense.

Except it's wrong. The songs are identical in both versions. Shirakawa is clearly lip-syncing, but I really didn't imagine she sang them in the first place. This does raise a question or two in my mind. Is Chitako also lip-syncing in the context of the film's story, or does she somehow have the ability to sing two different numbers in pitch perfect English in 1950s-era Japan? I'm not insinuating that such a thing is impossible, but it makes you wonder.

Part of the reason I wonder is the apparent fact that Chitako makes at least as much dough, if not more, than Misaki, despite his being involved in shady dealings. She also says that how much she makes "depends". If she is that good a singer, well, I can see why she is so well-paid. But if she's just lip-syncing? How in the world does she make so much money?

Let's see : Exceptionally pretty girl. Lives with a criminal boyfriend. Works at a nightclub. Makes large sums of money, but it "depends". May not have singing talent, despite working as a singer. Following that line of reasoning, it's not hard to determine how Chitako might make so much money. Or why the police are so suspicious of her at every turn.

I don't have into insight into the script or the thought process of the filmmakers, so this is all purely conjecture on my part. Maybe I'm reading too much into it, but I'll confess it never even occurred to me until a couple of weeks ago. So it's not as if I have a completely filthy mind.

The Lonely Ant

When I am bored or trying to sleep, sometimes I like to imagine ants.

Not real ants, I should hasten to add. I get enough of those in real life from country living. No, these imaginary ants are anthropomorphic ants. They live in anthills that approximate cities. Their lives have a lot more in common with humans than ants. But, they're still ants.

More specifically, my ant scenario usually focuses on one ant in particular. He doesn't have a name; he's an Everyant (I hope I just coined that term). Sometimes, he is stationed all alone at an outpost on the far perimeter of my ant civilization. More often, he runs a small little shop/bar in a largely-abandoned anthill city. The common denominator in both is that my ant surrogate is almost totally isolated from his fellow ants.

If you've ever seen an anthill, you realize how strange an idea this is. Those places are teeming with ants. And yet, I've somehow developed this plot thread of a lonely ant. It allows me to relax my overactive imagination, and either get some sleep or move on from a topic that has been preoccupying me.

I can't remember when this all started. I have a dim memory of once owning a religious comic book that featured anthropomorphic blue ants and orange ants fighting a war. I think that may have been the beginning. However, I don't even know if I own that book anymore. If I do, it is buried in a forgotten box.

Yeah, this is pretty weird, I know. I don't know why it holds some fascination to my half-awake mind, but it does.